(Source: weheartit.com, via warhaul)
calm like a bomb
There’s a mass without roofs
There’s a prison to fill
There’s a country’s soul that reads post no bills
There’s a strike and a line of cops outside of the mill
There’s a right to obey
And there’s a right to kill
60th floor at the Marquis. I could get used to this
(Source: dmcmph, via featherprincess)
(Source: mylightsexydreams, via featherprincess)
(Source: heyitscarlos, via gearheadsandmonkeywrenches)
David Fincher: The look on Jesse’s face after Andrew says, “Oh god, we’re in so much trouble now,” and you cut to Jesse and he has this sort of impish look on his face, like “so what? Isn’t that the point, to be naughty?” and then you see it sink in for a second—he’s like, “oh wait a minute.” I remember watching him as we were shooting and he did it probably 12 or 13 times, and every time it was just a little bit different. You could just tell he had his fingers tightly around the throat of exactly what he was doing with this guy, and it’s a great pleasure to watch somebody who is as skillful as Jesse Eisenberg is. He doesn’t, I think, give himself the credit a lot of times because he’s so much of a responder. He’s not the kind of actor who wants to take center stage; he wants to react. But when you see him be this good for this many weeks in a row—and I remember he took me aside at one point and said, “You would tell me if I was sucking ass, you would tell me if I was terrible?” and I said, “Oh yeah, absolutely, you would be the first to know.”
— DVD commentary
(Source: mrjesseeisenberg, via warhaul)
